One of the central topics of Klaus Steigner’s pictures are the area and the reorganisation of the area. Distortions, such as space curvatures, streches and upsettings are emotional due and justified to tension-producing moments in the motive and mental present. Temporal-spatial fusions take place and form the basis to considerations to now and to the being, and/or to the meaning of the temporal-linear operational sequence and its accepted illusions.






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